The D♯ Phrygian Dominant scale contains the notes D♯, E, G, G♯, A♯, B, C♯. Phrygian with a major 3rd — the iconic flamenco/Middle-Eastern sound. Major flavour, minor tension.
Standard tuning · 15 frets
Open in interactive tool →| # | Degree | Note |
|---|---|---|
| 1 | 1 | D♯ root |
| 2 | b2 | E |
| 3 | 3 | G |
| 4 | 4 | G♯ |
| 5 | 5 | A♯ |
| 6 | b6 | B |
| 7 | b7 | C♯ |
Sound & use
Phrygian with a major 3rd — the iconic flamenco/Middle-Eastern sound. Major flavour, minor tension.
Flamenco, klezmer, Middle-Eastern music, metal over dominant chords, anything craving a Spanish edge.
Common in: flamenco, klezmer, middle-eastern, metal
Also known as: Spanish Phrygian, Freygish
Try it interactively
Scale generator →
Other scales
Scale
Bright, resolved, optimistic — the default sound of Western pop, folk and most children's music.
Scale
Melancholy, introspective, serious — but not desperately sad. The classic "minor key" sound.
Scale
The major scale with the 4 and 7 removed — five notes that "always work" over a major chord. Sweet, melodic, never dissonant.
Scale
The scale that built rock and blues. Bluesy, plaintive, and easy to play in five connected positions across the neck.
Scale
Minor pentatonic plus the "blue note" (b5). Gritty, vocal, instantly recognisable as the blues.
Scale
Minor with a major 6th — darker than major, warmer than natural minor. Sophisticated, hopeful-melancholy.
Scale
Minor with a flat 2nd — exotic, Spanish, slightly menacing. The b2 is the defining sound.
Scale
Major with a raised 4th — dreamy, suspended, otherworldly. The sound of film-score wonder.
Scale
Major with a flat 7th — bright but bluesy. The "rock major scale".
Scale
The "weird one" — minor with both a flat 2nd and a flat 5th. Restless, dissonant, hard to resolve.
Scale
Natural minor with a raised 7th — creates the dramatic 1.5-step gap between b6 and 7. Classical, neo-classical, Middle-Eastern flavours.
Scale
Minor scale with a major 6th and 7th going up (jazz/ascending form). Sophisticated, slippery, modern.
Scale
Two augmented seconds (between b3–#4 and b6–7) give this scale its distinctive Eastern European / Romani drama.
Scale
Six equally-spaced notes, no semitones — the symmetrical "dreamlike" scale. No clear tonic; ambiguous and weightless.
Scale
Traditional Japanese pentatonic — austere, contemplative, instantly evocative of koto music.
All keys
FAQ